Journal
Comparison is the Thief of Joy (and Creativity)
I had always assumed “comparison is the thief of joy” was a proper quote from someone. When I looked into it, it turned out to be much newer than I thought. The exact phrase first turns up in print in 2004, credited to nobody. It only became attached to Theodore Roosevelt around 2012, when inspirational quotes were everywhere on Pinterest and Instagram, and later to Mark Twain too. Neither of them said it.
I find that quite telling. We seem to have invented the saying at exactly the point we needed it most. Filters, editing apps and now AI mean what we see on our phones is further from reality than ever.
This week’s Friday Film is about where comparison gets into making. I see it in three places.
At the start of a project
Earlier this year I wanted to embroider the bodice of a dress for my maker’s wardrobe. I made a Pinterest board for inspiration, pinned happily for a while, then looked at what I’d collected. Most of it was 17th-century court dress and haute couture. Work made by teams of professional embroiderers who had trained for decades.
Instead of inspiration, I’d built a gap between that and what I could do. I abandoned the project.
Five well-chosen examples, ideally printed or from a library book, would have served me far better. Things to learn from as part of my own process, rather than a wall to measure myself against.
In the middle
Make-alongs, the seasonal projects in The Studio, the rush when a popular designer releases a new pattern. These are lovely, but they also make the fastest makers very visible.
People work at different speeds for all sorts of reasons. (The only time I finish knitting quickly is when I’m unwell and stuck in bed.) When I used to send out craft boxes, some people finished within the week, some took a couple of months, and some opened their stocking kit two years later and made it then. All of that was fine.
What helps is saying where you actually are. “I’ve downloaded the pattern”. “I’ve got the fabric out of the cupboard”. That keeps you part of the project, and it shows everyone else that not everyone is racing ahead.
At the end
You finish something and look at it on the breakfast table, among the dishes, in poor light. Then you look at photos online that have been styled, lit, edited and possibly run through AI. Grass isn’t even green online any more, it has become an aesthetic, moody olive.
Knowing all that doesn’t stop it affecting how we see our own slipped stitch or the untidy back of our embroidery.
This is one of the reasons I love working with original pieces. You can see the mistakes, the shortcuts, the patches, and the moments where someone clearly decided it was only a pair of socks. It connects you to the maker, and it reminds you that the making is the point.
So make with your hands. The less you scroll, the less room comparison has.
