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Xanthe Gladstone's radish and carrot kimchi

Xanthe Gladstone has kindly given us her recipe for radish and carrot kimchi. She has a wonderfully evocative Instagram feed, full of vegetarian recipes with vegan versions.

Ingredients

4 big carrots (preferably organic)

15 radishes

12g sea salt

For paste

A big spoonful of miso paste

2 teaspoons of chilli flakes

A thumb of ginger grated

4 cloves of garlic finely chopped

1 tablespoon of apple cider vinegar

Wash and finely chop or mandolin your carrots and radishes. Put them into a colander with the salt. Massage in the salt for about 5 minutes until some water comes out of the vegetables. Put the colander over a bowl and cover with a tea towel. Let the vegetables soak in the salt for about 3 hours, save the brine that drips into the bowl.

Make your kimchi paste in a blender or a magimix. Blend all the paste ingredients together until it becomes smooth.

Once your vegetables have been soaking for about 3 hours, put aside the bowl of salt water that you collected from beneath them, and then rinse the vegetables a couple of times, until most of the saltiness has disappeared.

In a separate bowl, mix the kimchi paste thoroughly through the vegetables.

Put the mix into your jar, pushing the vegetables down as you go, so that there is no air left and they are properly compressed down.

Pour over a little of the brine from the bowl so that all of the vegetables are beneath the liquid. It’s important that none of them are above the water or they’ll go mouldy. You can use a rock or a fermentation weight for this.

Leave the lid slightly off, so that the kimchi has a bit of air in it, and leave on the kitchen worktop for about 3 days checking that the vegetables remain below the liquid during that time. After this, taste it, and if it tastes a bit sour and like kimchi, it’s ready to go! Put it into your fridge and eat over the next few weeks/months.

Picture: Kinvara Gladstone

Tags: recipe make

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I am a bit of a womble.  My Studio is a layering of things that have been found, things that have been saved, things that have been given to me - I like to be surrounded by a bit of history. ⁠⠀
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I am known as an avid skip diver so people kindly keep me things.  This weekend I am off to pick up 13 sash windows rescued from a skip.⁠⠀
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This is my dye cupboard - the mordants and other powders, the piles of fabrics and yarns, my newly started record book and the glue to paste the swatches in.⁠⠀
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It has had a hard life - the back is patched with hinges as plates, there are many, many layers of paint and a door has gone missing along the way.  It is perfect.⁠⠀
Back when I grew flowers commercially the area that is now ‘the orchardy bit’ was rows and rows of spring bulbs.⁠ In the years where the deer didn’t eat the tulips they looked magnificent, stripe upon stripe of pure pigment. ⠀
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When I turned my back on growing for money, we simply took out the beds and levelled it, turning it back to grass.⁠⠀
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The tulips quickly gave up - never brilliantly perennial here anyway, they took the opportunity to fade out fast.⁠ Well if you don’t want us . . . ⠀
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The narcissi loved it though and every year appeared back in their serried rows through the grass. ⁠There was something disturbingly grave like about them.
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My planting  ever since has all been an attempt to disguise that - feathering the edges, making little islands, trying to make it all look haphazard.⁠⠀
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Gradually it is working - this is the edge of what would have been a bed of Narcissi geranium (best vase life, along with best scent) - now happily interspersed with a pheasants eye and a little lemon coloured one I have lost the name of.
Abundance.⁠⠀
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And the hedges beginning to vibrate with that gloriously specific spring green.
This week has been about experimenting.⁠⠀
Experimenting with all the ways to dye with daffodils, experimenting with the new e-course part of my website, experimenting with shooting and editing videos on my phone.⁠⠀
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My business hero is @sethgodin and his mantra is 'ship it' - a way of saying that the best way to learn is to make things and get them out in front of people before they are polished and 'perfect'.⁠⠀
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So I took his advice and combined all three experiments. Today's newsletters will have links to a free e-course all about dyeing wool with daffodils.⁠⠀
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I have been absolutely amazed by the colour you get from faded daffodil flowers (see the second photo). It is a bright, yet somehow soft, golden yellow which is now adding an amazing zing to my pile of plant dyed fabrics.⁠⠀
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I am prone to obsessions.  My brain hones in on topics and rabbit holes away, a constant background chatter to my life.⁠⠀
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It annoys the people I live with as my world shrinks to one topic. ⠀
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My camera roll shows me it is three years ago this week that I returned to natural dyeing with plants, concentrating on using only the plants growing within a couple of miles.⁠⠀
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Three years of experimenting with plant after plant, three years of googling and reading obscure articles and piling up samples. ⁠three years of conversation about mordants and modifiers. ⠀
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Three years is a short time in such a slow craft. A blink of an eye. ⁠⠀
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But already I can see a difference in my skill.⁠⠀
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This is a corner of the cupboard where I stash my fabrics and yarns building up enough for a project.  These have all been dyed this year - with barks and cones. ⁠⠀
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This week I am dyeing with bright deadheaded daffodils and the golden yellows will join these soft terracottas and pinks while I dream up something to make.
I grow very few white flowers. ⁠⠀
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White summer flowers tend to mark in the rain - white roses look like discarded tissues, white dahlias spot brown.  Even cosmos purity - which I do grow - goes droopy and grey in a way that the coloured versions don't.⁠⠀
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The petals of spring bulbs however seem rain resistant - so I can indulge my love of white flowers and enjoy them backlit by the morning sun on the Studio window shelf.
Bright and light and pretty.
I am spending a lot of time in the greenhouse at the moment - playing an endless game of jenga with my seed trays.⁠⠀
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Many of the seedlings are for the community gardens - being planted out gradually under fleece. We are biding time, taking the cautious route so that we minimise the risk of everything being wiped out by a very cold night.⁠⠀
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We still have a full month of frosts to go here - little ones of -2 or 3 are manageable, an extra covering of fleece, some bricks to act like a storage heater.  Most hardy seedlings will recover from getting their tips nipped a bit.⁠⠀
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Last year though we had a really cold night in mid May, when growth was going well and sappily. It blasted the blossom and killed many of my hardy veg too. Slightly too late to resow.⁠⠀
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Speak to the older generation of gardeners and they all sowed and planted out much later than is the fashion today.  They perhaps had a point.
I wrote in my Friday letter this week about the sudden lifting of the uncertainty and inertia that had been dogging me for a few months.⁠⠀
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It's always easier to write about these things once they are resolved - do you find that?  Once I am unstuck and lolloping along happily again, I can look at it all and not get sucked down.⁠⠀
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Of course all this talk of getting going again, of new plans and exciting things . . . . it all actually means hard work. ⁠⠀
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Head down, working through an actual written plan kind of hard work.  Not always my natural strength.⁠⠀
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So yesterday I rearranged the studio window shelves and cleared the working table, ready for an uninterrupted start today. ⁠⠀
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An attempt to keep momentum.
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At Snapdragon Life I gently guide you through bringing the changing seasons into your daily life, helping you slow down, so that you can experience increased well being, calm and creativity.

 

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