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Journal

Making a jam jar 'terrarium' of crocus

making a jam jar terrarium

At the beginning of Spring, garden centres and florists fill up with little pots of bulbs - all full of promise and ready to do their thing.

I like to pot these up and have them around the house. My favourites are the tiny bulbs - like crocus and grape hyacinths - which can be grouped together on windowsills or tables - a moment of joy as you pass. They can then be planted out in the garden as soon as they have finished flowering indoors.

This little 'terrarium inspired' arrangement is made in a large jam jar, which I think used to have gherkins in it. The important thing is that you can get your hand into it so that it is easy to position your bulbs. If you don't have a suitable jam jar a plain glass vase or storage jar works well too.

You need

  • large jar
  • small pots of bulbs
  • moss (do not pick from the wild, if you don't have any in your garden use more grit instead)
  • horticultural grit/fine gravel
  • compost
  • spoon

1. carefully put moss in the base of the jar - I use moss peeled from the edge of our lawn.

making a terrarium of crocus

2. Add in a layer of grit - this does two things. It holds down the moss and it creates a reservoir which will hold water away from the base of the bulbs so they don't drown if you accidentally overwater.

3. Carefully take the bulbs out of their pots and put nestled into the gravel. Depending on the size of your pot you may need to carefully tease the bulbs apart so you can fit them in. Add in as many bulbs as you can and use the spoon to add compost into the gaps.

Make your own terrarium of crocus

4. Use the spoon to slide more moss down the side of the jar to hide the bulb roots. If you don't have moss trickle grit down.

Make your own terrarium display of crocus

5. Water very gently. You want there to be water at the bottom so that the roots can reach it, but you don't want the bulbs to be sitting in water. The moist moss will help regulate this.

Grow your own spring bulb terrarium

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I am a bit of a womble.  My Studio is a layering of things that have been found, things that have been saved, things that have been given to me - I like to be surrounded by a bit of history. ⁠⠀
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I am known as an avid skip diver so people kindly keep me things.  This weekend I am off to pick up 13 sash windows rescued from a skip.⁠⠀
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This is my dye cupboard - the mordants and other powders, the piles of fabrics and yarns, my newly started record book and the glue to paste the swatches in.⁠⠀
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It has had a hard life - the back is patched with hinges as plates, there are many, many layers of paint and a door has gone missing along the way.  It is perfect.⁠⠀
Back when I grew flowers commercially the area that is now ‘the orchardy bit’ was rows and rows of spring bulbs.⁠ In the years where the deer didn’t eat the tulips they looked magnificent, stripe upon stripe of pure pigment. ⠀
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When I turned my back on growing for money, we simply took out the beds and levelled it, turning it back to grass.⁠⠀
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The tulips quickly gave up - never brilliantly perennial here anyway, they took the opportunity to fade out fast.⁠ Well if you don’t want us . . . ⠀
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The narcissi loved it though and every year appeared back in their serried rows through the grass. ⁠There was something disturbingly grave like about them.
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My planting  ever since has all been an attempt to disguise that - feathering the edges, making little islands, trying to make it all look haphazard.⁠⠀
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Gradually it is working - this is the edge of what would have been a bed of Narcissi geranium (best vase life, along with best scent) - now happily interspersed with a pheasants eye and a little lemon coloured one I have lost the name of.
Abundance.⁠⠀
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And the hedges beginning to vibrate with that gloriously specific spring green.
This week has been about experimenting.⁠⠀
Experimenting with all the ways to dye with daffodils, experimenting with the new e-course part of my website, experimenting with shooting and editing videos on my phone.⁠⠀
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My business hero is @sethgodin and his mantra is 'ship it' - a way of saying that the best way to learn is to make things and get them out in front of people before they are polished and 'perfect'.⁠⠀
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So I took his advice and combined all three experiments. Today's newsletters will have links to a free e-course all about dyeing wool with daffodils.⁠⠀
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I have been absolutely amazed by the colour you get from faded daffodil flowers (see the second photo). It is a bright, yet somehow soft, golden yellow which is now adding an amazing zing to my pile of plant dyed fabrics.⁠⠀
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I am prone to obsessions.  My brain hones in on topics and rabbit holes away, a constant background chatter to my life.⁠⠀
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It annoys the people I live with as my world shrinks to one topic. ⠀
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My camera roll shows me it is three years ago this week that I returned to natural dyeing with plants, concentrating on using only the plants growing within a couple of miles.⁠⠀
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Three years of experimenting with plant after plant, three years of googling and reading obscure articles and piling up samples. ⁠three years of conversation about mordants and modifiers. ⠀
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Three years is a short time in such a slow craft. A blink of an eye. ⁠⠀
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But already I can see a difference in my skill.⁠⠀
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This is a corner of the cupboard where I stash my fabrics and yarns building up enough for a project.  These have all been dyed this year - with barks and cones. ⁠⠀
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This week I am dyeing with bright deadheaded daffodils and the golden yellows will join these soft terracottas and pinks while I dream up something to make.
I grow very few white flowers. ⁠⠀
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White summer flowers tend to mark in the rain - white roses look like discarded tissues, white dahlias spot brown.  Even cosmos purity - which I do grow - goes droopy and grey in a way that the coloured versions don't.⁠⠀
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The petals of spring bulbs however seem rain resistant - so I can indulge my love of white flowers and enjoy them backlit by the morning sun on the Studio window shelf.
Bright and light and pretty.
I am spending a lot of time in the greenhouse at the moment - playing an endless game of jenga with my seed trays.⁠⠀
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Many of the seedlings are for the community gardens - being planted out gradually under fleece. We are biding time, taking the cautious route so that we minimise the risk of everything being wiped out by a very cold night.⁠⠀
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We still have a full month of frosts to go here - little ones of -2 or 3 are manageable, an extra covering of fleece, some bricks to act like a storage heater.  Most hardy seedlings will recover from getting their tips nipped a bit.⁠⠀
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Last year though we had a really cold night in mid May, when growth was going well and sappily. It blasted the blossom and killed many of my hardy veg too. Slightly too late to resow.⁠⠀
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Speak to the older generation of gardeners and they all sowed and planted out much later than is the fashion today.  They perhaps had a point.
I wrote in my Friday letter this week about the sudden lifting of the uncertainty and inertia that had been dogging me for a few months.⁠⠀
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It's always easier to write about these things once they are resolved - do you find that?  Once I am unstuck and lolloping along happily again, I can look at it all and not get sucked down.⁠⠀
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Of course all this talk of getting going again, of new plans and exciting things . . . . it all actually means hard work. ⁠⠀
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Head down, working through an actual written plan kind of hard work.  Not always my natural strength.⁠⠀
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So yesterday I rearranged the studio window shelves and cleared the working table, ready for an uninterrupted start today. ⁠⠀
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An attempt to keep momentum.
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At Snapdragon Life I gently guide you through bringing the changing seasons into your daily life, helping you slow down, so that you can experience increased well being, calm and creativity.

 

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